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GREG M. SMITH
Department of Communication
Georgia State University

P.O. Box 4000
Atlanta, GA 30302-4000

(404) 413-5605
gsmith@gsu.edu



EDUCATION

University of Wisconsin-Madison, Ph.D., Communication Arts, 1998

University of North Carolina- Chapel Hill. M.A., Radio-Television-Film, 1990

Duke University, Durham, North Carolina. B.S., Computer Science, 1984
 
 

PUBLICATIONS

Books

                    Beautiful TV:  The Art and Argument of Ally McBeal, University of Texas Press, 2007.

Film Structure and the Emotion System, Cambridge University Press, 2003.

On a Silver Platter: CD-ROMs and the Promises of a New Technology (editor). New York University Press, 1999.

Passionate Views: Film, Cognition, and Emotion (co-edited with Carl Plantinga). Johns Hopkins University Press, 1999.
 
 

Articles/chapters {Most of my writings are available here through either HTML or PDF formats.  I list the HTML link first, followed by a link to the PDF version.} “A Case of Cold Feet:  Serial Narration and the Character Arc,” in Journal of British Cinema and Television 3.1 (2006).

“Reflecting on the Image:  Sartrean Emotions in the Writings of Andre Bazin,”  Film and Philosophy 10 (2006).

"Serial Narrative and Guest Stars: Ally McBeal's Eccentrics," in The Contemporary Television Series, edited by Lucy Mazdon and Michael Hammond (Edinburgh University Press, 2005). (PDF version)

"Passersby and Politics: City of Hope and the Multiple Protagonist Film," in Sayles Talk: Essays on Independent Filmmaker John Sayles, edited by Diane Carson and Heidi Kenaga (Wayne State University Press, 2005). (PDF version)

"Moving Explosions: Metaphors of Emotion in Sergei Eisenstein's Writings," Quarterly Review of Film and Video 21.4 (October-November 2004). (PDF version)

"Country Cookin’ and Cross-Dressin’: Television, Southern Masculinities, and Hierarchies of Cultural Taste," (with Pamela Wilson), Television and New Media 5:3 (August 2004).  (PDF version)

"The Left Takes Back the Flag: The Steadicam, the Snippet, and the Song in The West Wing’s ‘In Excelsis Deo,’" in The West Wing: The American Presidency as Television Drama, edited by Peter C. Rollins and John E. O’Connor (Syracuse University Press, 2003).

"Navigating Myst-y Landscapes: Utopian Discourses and Hybrid Media," in Hop on Pop: The Pleasures and Politics of Popular Culture, edited by Henry Jenkins, Jane Shattuc, and Tara McPherson (Duke University Press, 2003). (PDF version)

"Computer Games Have Words, Too: Dialogue Conventions in Final Fantasy VII,"Game Studies 2.2 (December 2002): www.gamestudies.org.

"Critical Reception of Rashomon in the West," Asian Cinema 13.2 (Fall/Winter 2002). (PDF version)

"Choosing Silence: Robert DeNiro and the Celebrity Interview," in Stars in Our Eyes: The Star Phenomenon in the Contemporary Era, edited by Angela Ndalianis and Charlotte Henry (Praeger, 2002). (PDF version)

"Streisand Shops the Museum Store: Consuming Art on Television," Journal of Popular Film and Television 30.1 (Spring 2002). (PDF version)

"It’s Just a Movie: A Teaching Essay for Introductory Media Classes," Cinema Journal 41.1 (Fall 2001). (PDF version)

"Shaping The Maxx: Adapting the Comic Book Frame to Television," Animation Journal 8.1 (Fall 1999).  (PDF version)

"’To Waste More Time, Click Here Again:’ Monty Python and the Quest for the Film/CD-ROM Adaptation"   (PDF version) and "A Few Words on Interactivity," (PDF version) in On a Silver Platter: CD-ROMs and the Promises of a New Technology, edited by Greg M. Smith (New York University Press, 1999).

"Local Emotions, Global Moods: The Emotion System and Film Structure" and "Introduction" (with Carl Plantinga), in Passionate Views: Film, Cognition, and Emotion, edited by Carl Plantinga and Greg M. Smith (Johns Hopkins University Press, 1999).

"Blocking Blockade: Partisan Protest, Popular Debate, and Encapsulated Texts," Cinema Journal 36.1 (Fall 1996).  (PDF version)

"Silencing the New Woman: Ethnic and Social Mobility in the Melodramas of Norma Talmadge,"Journal of Film and Video 48.3 (Fall 1996).  (PDF version)

"Plotting a Show about Nothing: Patterns of Narration in Seinfeld," Creative Screenwriting 2.1 (Fall 1995). (PDF version)
 
 

TEACHING EXPERIENCE  
Associate Professor Georgia State University, Atlanta, GA, 2003-present

Assistant Professor Georgia State University, Atlanta, GA, 1999-2003
 

Style and Narrative Analysis
Comparative Issues in Emerging Media
Advanced Film Theory
Issues and Perspectives in Communication Theory
Comics:  Words, Pictures, Stories, Histories
History of Motion Pictures
World Film History
Hollywood Cinema to 1967
Interactive Video Workshop
The Horror Film
Star Studies
Radio Studies
 
Assistant Professor Carlow College, Pittsburgh, PA, 1995-1999  
RECENT PRESENTATIONS  “The Presidency and Popular Culture” (with Mary Stuckey), American Political Science Conference, Chicago, IL, 2007.

“Will Eisner and the City,” Comics and the City:  Urban Space in Print, Picture, and Sequence Conference, Humboldt University, Berlin, Germany, 2007.

 “Structuring a One-Joke Film:  Documentary Narration and The Aristocrats,” Society for Cinema and Media Studies Conference, Chicago, IL, 2007.

“Taste and Television,” roundtable participant, Flow Television Conference, Austin, TX, 2006.

“Reflecting on the Image:  Sartrean Emotions in the Writings of Andre Bazin,”  invited participant, Audiovisual Emotions:  Representing and Eliciting Emotions through Audiovisual Media Conference, Hamburg, Germany, 2005.

“The Superhero as Labor:  The Secret Corporate Identity,”  Superheroes Conference, Melbourne, Australia, 2005.

“The Wages of Sentimentality,” invited lecture, Kino-Eye Conference (sponsors: Museum of Contemporary Art, Antwerp Film Museum, University of Antwerp), Antwerp, Belgium, 2005.

"Shaping Time:  Expressivity and the Comics Frame," Society for Cinema and Media Studies Conference, London, England, 2005.
 

RELATED WORK EXPERIENCE Systems Analyst Associated Students of UCLA, 1986-1988

Programmer/Analyst IBM, Gaithersburg, MD, 1984-1986