Dr. Mark McFarland
Selected Publications

“Matthew Riley’s The Viennese Minor-Key Symphony in the Age of Haydn and MozartAd Parnassum No. 26 (October 2015), 119-121.

“Boulez and the Necessity of the Dodecaphonic Language” Mitteilungen der Paul Sacher Stiftung No. 28 (April 2015), 18-20.

“Stravinsky as Analyst: The Firebird and Petrushka.” Igor Stravinsky: Sounds and Gestures of Modernism. Edited by Massimiliano Locanto. (Turnhout: Brepols Publishers, 2014), pp. 157-174.

“Sylveline Bourion’s Le style de Claude Debussy: duplication, répétition et dualité dans les stratégies de compositionLes Cahiers de la Société québéçoise de recherche en musique vol. 14 no. 2 (2013): 109-112.

“Schenker and the Tonal Jazz Repertory: A Response to Martin,” Music Theory Online 18, no. 3 (2012). http://mtosmt.org/issues/mto.12.18.3/mto.12.18.3.mcfarland.php

“Bill Evans and the Limits of Schenkerian Theory,” Journal of Schenkerian Studies 6 (2012), 33-65.

“Stravinsky and the Pianola: A Relationship Reconsidered,” La Revue de Musicologie 97 vol. 1 (2011), 85-110.

“Igor Stravinsky.”  In Oxford Bibliographies Online: Music.  Ed. Bruce Gustafson.  New York: Oxford University Press, 2011. http://oxfordbibliographiesonline.com

“D’un Profane de New York à Stravinsky,” Studi Musicali nuova serie anno 01 numero 02 (2010), 517-31.
 
“Sylvia Kahan’s In Search of New Scales: Prince Edmond de Polignac, Octatonic ExplorerNotes 66 no. 4 (2010), 786-89.

“Dave Brubeck and Polytonal Jazz,” Jazz Perspectives 3 no. 2 (2009), 153-176.

“Jeremy Day-O’Connell’s Pentatonicism from the Eighteenth Century to Debussy,Music Theory Online 15 no. 2 (2009). http://mto.societymusictheory.org/issues/mto.09.15.2/mto.09.15.2.mcfarland.html

“Debussy: The Origins of a Method,” Journal of Music Theory 48 no. 2 (2004), 295-324.

“Transpositional Combination and Aggregate Formation in Debussy,” Music Theory Spectrum 27 no. 2 2005), 187-220.

“An Interview with James Thatcher,” The Horn Call 32 no. 3 (2002), 57-59.

“Jonathan Cross’s The Stravinsky Legacy,” Theoria 9 (2001): 105-110.

“Debussy and Stravinsky: Another Look into Their Musical Relationship,” Cahiers Debussy 24 (2000), 79-112.

"Leit-Harmony, or Stravinsky's Musical Characterization in The Firebird,"  The International Journal of Musicology 3 (1994), 203-233.

 

 

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