Studies in the Literary Imagination

Back Issues

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37:1 (SP04) Cross Wire: Asian American Literary Criticism (Contributing Editors: Shirley Geok-lin Lim, Gina Valentino, Stephen Hong Sohn, and John Blair Gamber)
36:2 (FA03) Crossing Borders: Cultural Diffusion and Exchange (Contributing Editor: Allan Ingram)

36:1 (SP03) Meaning and Textuality in the Middle Ages (Contributing Editor: Mary Ramsey)

35:2 (FA02) Inauthentic Pleasures: Victorian Fakery and the Limitations of Form (Shelton Waldrep)
35:1 (SP02) Writing the New South (Ernest Suarez)
34:2 (FA01) Drama and Consciousness (Daniel Meyer-Dinkgräfe)
34:1 (SP01) Questions of Literary Property in Eighteenth-Century England (John Dussinger)
33:2 (FA00) Translation, Imitation, and Eighteenth-Century Imagination (Tanya Caldwell)
33:1 (SP00) Borders and Identities in the Mexican Novel (Manuel Medina)
32:2 (FA99) English Drama 1650-1760: A Critical Miscellany (Alexander Pettit and Margo Collins)
32:1 (SP99) Poetics of the Archive (Paul Voss and Marta Werner)
NA 31:2 (FA98) Toni Morrison and the American South (Carolyn Denard)
31:1 (SP98) Cultural Studies and the Pedagogical Imagination (Robert D. Newman)
30:2 (FA97) The Schoolroom in Irish Literature (Rand Brandes and Margaret Mills Harper)
30:1 (SP97) Materialism and Textuality (Terence Hoagwood)
NA 29:2 (FA96) Editing the Literary Imagination (Tom Quirk and Robert D. Sattelmeyer)
29:1 (SP96) Nineteenth-Century Realism: Theory and Practice (William B. Thesing)
28:2 (FA95) Reconfiguring the Relation Rhetoric/Hermeneutics (George L. Pullman)
28:1 (SP95) Refiguring Richardson's Clarissa (Murray L. Brown)
27:2 (FA94) Cultural Conflict in Contemporary Southern Fiction (Victor A. Kramer)
27:1 (SP94) Reinventing Americans Reinventing Americans: Discourse in Early America (Reiner Smolinski)
26:2 (FA93) Decolonising Caribbean Literature (Carol P. Marsh-Lockett)
NA 26:1 (SP93) English Renaissance Drama and Audience Response (James Hirsh)
NA 25:2 (FA92) Defining Modernism (Randy Malamud)
25:1 (SP92) After Genette: Current Directions in Narrative Analysis and Theory (Carl R. Knopf and R. Barton Palmer)
24:2 (FA91) Performance Theory (Matthew C. Roudané)
24:1 (SP91) The Other Lawrence Durrell (Eugene Hollahan)
23:2 (FA90) "The Vexingly Unverifiable": Truth in Autobiography (Paul H. Schmidt)
23:1 (SP90) Bakhtin and the Languages of the Novel: Evaluations, Reconsiderations (R. Barton Palmer)
22:2 (FA89) C. S. Lewis: A Critic Recriticized (Victor A. Kramer)
22:1 (SP89) The Literary Uses of the Rhetoric of Science (John Hannay)
21:2 (FA88) Public Issues, Private Tensions: Contemporary American Drama (Matthew C. Roudané)
NA 21:1 (SP88) Centenary Revaluation of Gerard Manley Hopkins (Eugene Hollahan)
20:2 (FA87) Flannery O'Connor and the South (Ted R. Spivey)
20:1 (SP87) Chaucer's French Contemporaries (R. Barton Palmer)
19:2 (FA86) Coleridge's Theory of the Imagination as Critical Theory (Christine Gallant)
19:1 (SP86) Contemporary Methods of Film Scholarship (Fred Reece)
18:2 (FA85) Narrative Theory and Children's Literature (Hugh T. Keenan)
NA 18:1 (SP85) Interconnections Between Religious and Literary Visions (Victor A. Kramer)
NA 17:2 (FA84) Philosophical Dimensions of Saul Bellow's Fiction (Eugene Hollahan)
17:1 (SP84) Reader Entrapment in Eighteenth-Century Literature (Carl R. Knopf)
16:2 (FA83) American Realism (James D. Wilson)
16:1 (SP83) Narrative in Film (R. Barton Palmer)
15:2 (FA82) Daniel Defoe: The Making of His Prose Fiction (Malinda Snow)
NA 15:1 (SP82) New Readings of Sidney: Experiment and Tradition (William A. Sessions)
14:2 (FA81) The Inklings (Lewis, Tolkien, Charles Williams) (Raymond Carter Sutherland)
NA 14:1 (SP81) W. B. Yeats: The Occult and Philosophical Backgrounds (Ted R. Spivey)
NA 13:2 (FA80) Conrad Aiken (Arthur E. Waterman, Ted R. Spivey)
NA 13:1 (SP80) The Male Novelist in Twentieth Century Britain (Jack I. Biles)
NA 12:2 (FA79) George Sand: Some Appreciations of Her Roles as Artist, Feminist, and Political Symbol (Paul G. Blount, Lewis R. Link)
NA 12:1 (SP79) Critics at Work: Contemporary Literary Theory (Victor A. Kramer)
NA 11:2 (FA78) The Female Novelist in Twentieth Century Britain (Jack I. Biles)
NA 11:1 (SP78) Studies in Renaissance English Poetry (Raymond V. Utterback)
10:2 (FA77) Studies in Seventeenth-Century Prose (William A. Sessions, James Tillman)
NA 10:1 (SP77) Studies in Restoration and Eighteenth-Century Drama (C. R. Kropf)
9:2 (FA76) Tradition and Revolution in Colonial American Literature (James D. Wilson)
NA 9:1 (SP76) The Anti-Hero: His Emergence and Transformations (Lillian R. Furst, James D. Wilson)
NA 8:2 (FA76) Victorian Prose (Paul G. Blount, Charlotte W. Rhodes)
NA 8:1 (SP75) Typology and Medieval Literature (Hugh T. Keenan)
NA 7:2 (FA74) The Harlem Renaissance (Victor A. Kramer)
NA 7:1 (SP74) Sources of Terror to the American Imagination (Robert D. Jacobs)
NA 6:2 (FA73) Aspects of Utopian Fiction (Jack I. Biles)
NA 6:1 (SP73) Ben Jonson: Quadricentennial Essays (Mary Olive Thomas)
NA 5:2 (FA72) Modes of Augustan Satire (C. R. Kropf; Thomas B. Gilmore, Jr.)
NA 5:1 (SP72) Shakespeare's History Plays (Raymond V. Utterback)
4:2 (FA71) Papers by Medievalists (Raymond Carter Sutherland, Hugh T. Keenan)
NA 4:1 (SP71) The Legacy of Francis Bacon (William A. Sessions)
NA 3:2 (FA70) James Joyce in the 1970s: The Expanding Dimensions of His Art (Ted R. Spivey)
NA 3:1 (SP70) Creativity in Southern Folklore (John A. Burrison)
2:2 (FA69) A William Golding Miscellany (Jack I. Biles)
NA 2:1 (SP69) American Romanticism: Hawthorne and Melville (Arthur E. Waterman)
NA 1:2 (FA68) Modern British Fiction: From Psychological Realism to Mythic Symbolism (Ted R. Spivey)
NA 1:1 (SP68) Victorian Perspectives (William E. Colburn)

NA - Not available
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Studies in the Literary Imagination
Department of English
Georgia State University
P. O. Box 3970
Atlanta, Georgia 30302-3970